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	<title>Movie list</title>
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	<description>About movies...</description>
	<lastBuildDate>Fri, 12 Jun 2009 18:16:24 +0000</lastBuildDate>
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		<title>Afro Deutsch</title>
		<link>http://awlee.com/archives/afro-deutsch.html</link>
		<comments>http://awlee.com/archives/afro-deutsch.html#comments</comments>
		<pubDate>Fri, 12 Jun 2009 18:16:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Short]]></category>

		<guid isPermaLink="false">http://wp.com/?p=1001</guid>
		<description><![CDATA[


Title: 
Afro Deutsch


Year: 
2002


Directors: 
Ayassi


Actors: 
Tyron Ricketts &#124; Thomas Bestvater &#124; Franziska M&#xFC;ller-Bork &#124; Cem &#xD6;zdemir &#124; Belhe Zaimoglu &#124; Orcan Motti &#124; Adil Oyan &#124; Franz Rampelmann &#124; Daniel Bertzen &#124; Daniel Harder &#124; Jan Kaufmann &#124; Michael Kolschau &#124; Enrico Swienty &#124; Gunter Gehrke &#124; Mackie Heilmann


Rating: 
5.8 &#124; 18 votes


Languages: 
German


Color: 
Color


Country: [...]]]></description>
			<content:encoded><![CDATA[<p></b><br />
<table width='90%' border=0 align='center'>
<tr>
<td class='bold'>Title: </td>
<td class='norm'>Afro Deutsch</td>
</tr>
<tr>
<td class='bold'>Year: </td>
<td class='norm'>2002</td>
</tr>
<tr>
<td class='bold'>Directors: </td>
<td class='norm'>Ayassi</td>
</tr>
<tr>
<td class='bold'>Actors: </td>
<td class='norm'>Tyron Ricketts | Thomas Bestvater | Franziska M&#xFC;ller-Bork | Cem &#xD6;zdemir | Belhe Zaimoglu | Orcan Motti | Adil Oyan | Franz Rampelmann | Daniel Bertzen | Daniel Harder | Jan Kaufmann | Michael Kolschau | Enrico Swienty | Gunter Gehrke | Mackie Heilmann</td>
</tr>
<tr>
<td class='bold'>Rating: </td>
<td class='norm'>5.8 | 18 votes</td>
</tr>
<tr>
<td class='bold'>Languages: </td>
<td class='norm'>German</td>
</tr>
<tr>
<td class='bold'>Color: </td>
<td class='norm'>Color</td>
</tr>
<tr>
<td class='bold'>Country: </td>
<td class='norm'>Germany</td>
</tr>
<tr>
<td class='bold'>Company: </td>
<td class='norm'>Panthertainment</td>
</tr>
<tr>
<td class='bold'>Genres: </td>
<td class='norm'>Short</td>
</tr>
<tr>
<td colspan=2 class='bold'>Comments: </td>
</tr>
<tr>
<td colspan=2 class='norm'><b>1) </b>This short film, shot in a music video style follows a young black manwhois pursued by a group of white young men clearly bent on violence. Thenarration is a defiant hip hop/rap declaration of a young black man&#8217;sdefiant attitude. This is clearly a protest of Negrophobia in modern dayGermany and puts a convincing case.</p>
<p>Overall this is a very effective short but the non-German speaker shouldbewarned, the rapid-fire staccato dialogue moves very quickly and itsdifficult to keep up with the subtitled narrative while viewing theimages.</p>
<p><b>2) </b>I originally had this movie playing in the background, but the versecaughtme, even though it was in German it was lyrical, and had such a presencethat it was absolutely captivating.</p>
<p>The film via german rap explores the changing concept of racism inmodernGermany. How it changes but in some ways remains ultimately the same. Hownow that black culture is being imulated by white culture they still inmanyrespects view them as a lesser citizen. It delivers a well thought outmessage that is very heartfelt. The cinematography is as well brilliantandstunning. Well worth the 13 minutes of film it was shot upon, if onlymorefilm was like this. </td>
</tr>
</table>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Afrita hanem</title>
		<link>http://awlee.com/archives/afrita-hanem.html</link>
		<comments>http://awlee.com/archives/afrita-hanem.html#comments</comments>
		<pubDate>Fri, 12 Jun 2009 18:16:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Romance]]></category>

		<guid isPermaLink="false">http://wp.com/?p=1000</guid>
		<description><![CDATA[


Title: 
Afrita hanem


Year: 
1949


Directors: 
Henry Barakat


Writers: 
Henry Barakat (story) Abu Seoud El-Ibiary (writer)


Actors: 
Samia Gamal &#124; Farid Al Atrache &#124; Lola Sedki &#124; Ismail Yasseen &#124; Abdel Salam Al Nabulsy &#124; Stephan Rosti &#124; Zeinat Sedki


Rating: 
4.9 &#124; 36 votes


Languages: 
Arabic


Color: 
Black and White


Country: 
Egypt


Company: 
Oriental


Genres: 
Fantasy &#124; Comedy &#124; Romance


Plot: 


1) Asfour wants to [...]]]></description>
			<content:encoded><![CDATA[<p></b><br />
<table width='90%' border=0 align='center'>
<tr>
<td class='bold'>Title: </td>
<td class='norm'>Afrita hanem</td>
</tr>
<tr>
<td class='bold'>Year: </td>
<td class='norm'>1949</td>
</tr>
<tr>
<td class='bold'>Directors: </td>
<td class='norm'>Henry Barakat</td>
</tr>
<tr>
<td class='bold'>Writers: </td>
<td class='norm'>Henry Barakat (story) Abu Seoud El-Ibiary (writer)</td>
</tr>
<tr>
<td class='bold'>Actors: </td>
<td class='norm'>Samia Gamal | Farid Al Atrache | Lola Sedki | Ismail Yasseen | Abdel Salam Al Nabulsy | Stephan Rosti | Zeinat Sedki</td>
</tr>
<tr>
<td class='bold'>Rating: </td>
<td class='norm'>4.9 | 36 votes</td>
</tr>
<tr>
<td class='bold'>Languages: </td>
<td class='norm'>Arabic</td>
</tr>
<tr>
<td class='bold'>Color: </td>
<td class='norm'>Black and White</td>
</tr>
<tr>
<td class='bold'>Country: </td>
<td class='norm'>Egypt</td>
</tr>
<tr>
<td class='bold'>Company: </td>
<td class='norm'>Oriental</td>
</tr>
<tr>
<td class='bold'>Genres: </td>
<td class='norm'>Fantasy | Comedy | Romance</td>
</tr>
<tr>
<td colspan=2 class='bold'>Plot: </td>
</tr>
<tr>
<td colspan=2 class='norm'><b>1)</b> Asfour wants to marry his boss&#8217; daughter Aleya, but Aleya&#8217;s father rejects him because of his lower class and his lack of money. Asfour later meets a mysterious old man who advises him to go to a cave in the mountain, where he will find bliss. The cave contains a magical lamp with a female genie named Kahramana. Asfour commands her to assist him in his desire to win Aleya, but the genie has plans of her own for him.
</td>
</tr>
<tr>
<td colspan=2 class='bold'>Comments: </td>
</tr>
<tr>
<td colspan=2 class='norm'><b>1) </b>Afrita Hanem is one of the Classics in Egyptian Movie History. Itfeatures both Samia Gamal (a legendary dancer, considered by many to bethe greatest Egyptian dancer of all times) and Farid Al-Atrache (one ofthe best Arab musicians of all times). The two have starred incountless romantic comedies together and are beloved by the Egyptianpublic even today. This particular movie is the Story of a poorsinger(Farid) who finds a magic lamp with a beautiful genie(Samia). TheGenie falls in love with the singer instantly because he looks exactlylike her long lost love. She promises to give him anything his heartdesires. The singer who is in love with his co-star and bosses daughtertries everything he can to gain her interest but his Genie doeseverything she can to thwart his plans. This leads to some veryhumorous events. Although the movie is old and it&#39;s values are dated itcan still be seen and understood by all audiences today includingAmericans with little to no understanding of Arab or Egyptian culture.Just like the values in our old movies in America are different fromthe values we hold to day. If you keep in mind what the early portionof the 19th century was like and keep those conservative values in yourthought the movie should make a lot of sense. Someone else wrote thatone of the scenes which had demons and dancing girls in it, didn&#39;t makeany sense but seems to have forgotten that that was a part of theirshow not an actual event that supposedly happens to them in the movie.Throughout the movie they work in an Opera house producing musical anddance productions which are highly successful. This scene is from theirshow. It is also symbolically supposed to represent the torment thatthey had to go through to be with each other. The film quality iscomparable to American films of the same era. Also if you have the DVDthere are English subtitles which make the movie much easier tounderstand. I&#39;m assuming that the person who wrote the previous reviewis probably watching one without subtitles.</p>
<p><b>2) </b>&quot;Lady Genie&quot;, before anything else, is a fun movie. It&#8217;s sort of across between Gene Kelly and Bollywood. The acting is good, and thesinging and dancing are excellent. The plot is very silly indeed, and Ifound it extremely diverting, despite the flaws which I shall now list.</p>
<p>The first is not a flaw so much as a disclaimer: those not familiarwith the Arabic culture may be baffled for most of the duration. Thisis an Arabic movie made for an Arab audience, and there are noexplanations for outsiders.</p>
<p>Second: I have compared &quot;Lady Genie&quot; to a Gene Kelly movie, and thesimilarities are in that the music numbers are long and don&#8217;t furtherthe plot. Especially the finale with the demons and the girls in thecages &#8212; long and random.</p>
<p>Finally: it&#8217;s old, and cheap. The film quality in particular suffersfrom this.</p>
<p>But, as I said in the beginning, it&#8217;s a wild romp, quite funny andfeaturing some world-class belly-dancing.</td>
</tr>
</table>
]]></content:encoded>
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		</item>
		<item>
		<title>Afrique, je te plumerai</title>
		<link>http://awlee.com/archives/afrique-je-te-plumerai.html</link>
		<comments>http://awlee.com/archives/afrique-je-te-plumerai.html#comments</comments>
		<pubDate>Fri, 12 Jun 2009 18:16:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[History]]></category>

		<guid isPermaLink="false">http://wp.com/?p=999</guid>
		<description><![CDATA[


Title: 
Afrique, je te plumerai


Year: 
1993


Directors: 
Jean-Marie T&#xE9;no


Actors: 
Jean-Marie T&#xE9;no &#124; Narcisse Kouokam &#124; Marie Claire Dati &#124; Essindi Mindja &#124; Aboubakar Toine &#124; Ange Guetouom


Rating: 
5.9 &#124; 19 votes


Languages: 
French


Color: 
Color


Country: 
Cameroon


Company: 
Les Films du Raphia


Genres: 
Documentary &#124; History


Plot: 


1) This documentary of repressive political realities in Cameroon begins with the 1990 publication of [...]]]></description>
			<content:encoded><![CDATA[<p></b><br />
<table width='90%' border=0 align='center'>
<tr>
<td class='bold'>Title: </td>
<td class='norm'>Afrique, je te plumerai</td>
</tr>
<tr>
<td class='bold'>Year: </td>
<td class='norm'>1993</td>
</tr>
<tr>
<td class='bold'>Directors: </td>
<td class='norm'>Jean-Marie T&#xE9;no</td>
</tr>
<tr>
<td class='bold'>Actors: </td>
<td class='norm'>Jean-Marie T&#xE9;no | Narcisse Kouokam | Marie Claire Dati | Essindi Mindja | Aboubakar Toine | Ange Guetouom</td>
</tr>
<tr>
<td class='bold'>Rating: </td>
<td class='norm'>5.9 | 19 votes</td>
</tr>
<tr>
<td class='bold'>Languages: </td>
<td class='norm'>French</td>
</tr>
<tr>
<td class='bold'>Color: </td>
<td class='norm'>Color</td>
</tr>
<tr>
<td class='bold'>Country: </td>
<td class='norm'>Cameroon</td>
</tr>
<tr>
<td class='bold'>Company: </td>
<td class='norm'>Les Films du Raphia</td>
</tr>
<tr>
<td class='bold'>Genres: </td>
<td class='norm'>Documentary | History</td>
</tr>
<tr>
<td colspan=2 class='bold'>Plot: </td>
</tr>
<tr>
<td colspan=2 class='norm'><b>1)</b> This documentary of repressive political realities in Cameroon begins with the 1990 publication of an open letter to President Biya calling for a national conference &#8211; and the immediate arrest of the letter&#8217;s author and publisher. The narration then examines the nation&#8217;s colonial history, beginning with the first German missionary in 1901, the establishment of schools, French occupation following World War I, the paucity of books written by and published by Cameroonians, and the repression of the CPU, a leftist organization of the 1950s and 1960s. Cameroon and its people are the lark, its feathers plucked first by colonialism and then by native strongmen: &#8216;Alouette, je te plumerai.&#8217;
</td>
</tr>
<tr>
<td colspan=2 class='bold'>Comments: </td>
</tr>
<tr>
<td colspan=2 class='norm'><b>1) </b>I saw this film and my main thought the entire show was, &quot;What is thepoint?&quot; The director is trying for such a surreal and disjointed filmthat he overshoots and makes one that is nearly incomprehensible. Thetopic jumps around from colonialism to neocolonialism, to bookpublishing in Cameroon, political violence, and stand-up comedy. </p>
<p>Scenes of violence or colonial propaganda are thrown into the film withthe result being too jarring. Instead of feeling anything, you are justleft confused as to what happened. </p>
<p>The title is drawn from the well-known french song, but there is verylittle to connect to that song other than a brief moment in the filmand a vague theme of colonialism taking advantage of the colony. Sinceanyone watching this film would almost certainly be familiar with thebasics of colonialism, the film doesn&#8217;t really add anything to thediscussion.</td>
</tr>
</table>
]]></content:encoded>
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